December with Zubin Mehta Is the Month to be Jolly
/Mehta’s account of Mahler First Symphony after the intermission was unlike any I have heard, with its insertion of the “Blumine” movement between the first and second.
Read MoreConcert and opera reviews from Southern California.
Mehta’s account of Mahler First Symphony after the intermission was unlike any I have heard, with its insertion of the “Blumine” movement between the first and second.
Read MoreFor each composer, Ms. Grimaud chose a late work: Beethoven’s Op.109, Brahms Op.116 and Op.117 (in a manner of speaking, Brahms’ entire Op.116-119 could be classified as one big set of ‘piano songs’), and the Bach chaconne transcribed for the piano by Busoni…
Read MoreTonight, LA Phil welcomed guest conductor Osmo Vänskä from Finland. The concert program reflects Vänskä’s work in the countries of Israel and South Korea…
Read MoreAt Santa Monica’s First Presbyterian Church last Sunday, twenty-year-old pianist and composer Talon Smith was joined by two members of the L.A. Phil in a recital…
Read MoreFirst and foremost, Nobu is a fine pianist who has something fresh to say in Rachmaninoff’s well-worn Second Concerto, and says it eloquently and elegantly.
Read MoreThe 38-year-old pianist, hailing from Ukraine by way of Italy, is an estimable artist possessing a forceful, sparkling right hand and a supremely lyrical left hand…
Read MoreThibaudet produced some marvelous sonorities in “Voiles” and “Des pas sur la neige”, even injecting the impressionist-colored “Hills of Anacapri” (in Sicily) with heated Latin passion.
Read MoreUnlike some of her younger colleagues, Hélène Grimaud’s pianistic style, as in her wardrobe, is sensibly down-to-earth and non-flashy, content to let the music speak for itself without any affectation of tempo or phrasing.
Read MoreHer piano for this recital was a Steinway, a warmer, more romantic-sounding instrument than the Fazioli, all the better for conveying the romanticism of Bach.
Read MoreIn his Walt Disney Concert Hall recital debut on Wednesday, October 24, Cho played to a capacity audience eager to be enraptured by a piano god with K-Pop star looks, and he did not disappoint them.
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