Mendelssohn's early romantic gem and Countess Polignac
/The slender and firm tone of his 1699 “Countess Polignac” Stradivarius was unmistakable and stood apart and above from the pack of orchestral strings during ensemble playing.
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The slender and firm tone of his 1699 “Countess Polignac” Stradivarius was unmistakable and stood apart and above from the pack of orchestral strings during ensemble playing.
Read MoreBychkov’s often-frenetic style recalled that of his Russian compatriot Valerie Gergiev, but showed a lot more finesse and polish in execution.
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