Olga Kern Returns to OC with a Winning Tchaikovsky
/One cannot say enough good things about Ms. Kern’s playing, in which clarity of line is in no way clouded by passionate expression and outbursts.
Read MoreConcert and opera reviews from Southern California.
One cannot say enough good things about Ms. Kern’s playing, in which clarity of line is in no way clouded by passionate expression and outbursts.
Read MoreA most uplifting, satisfying performance, attended by a fully-masked and vaccinated audience at near capacity who enthusiastically applauded at the end of every movement.
Read MoreHer piano for this recital was a Steinway, a warmer, more romantic-sounding instrument than the Fazioli, all the better for conveying the romanticism of Bach.
Read MoreTo describe 28-year-old Daniil Trifonov as classical music’s brightest young star pianist is in a sense to do him a disservice, for he is above all an artist.
Read MoreCho, born in 1994, commands the technical brilliance and expressive power to rival and, in some cases, top the best of them. His K-pop star good looks did not hurt, either.
Read MoreConductor Esa-Pekka Salonen proved a superb colorist in this music. He reading was dark, tense, brooding in the narrative, and soft, warm, radiant in the Winterstürme.
Read MoreVicente Chamber Orchestra's musicians are lawyers, doctors, tech executives, etc. – serious dilettantes who dream of playing in an orchestra.
Read MoreViolinist Patricia Kopatchinskaja’s “unique interpretation” of Tchaikovsky’s Concerto and Esa-Pekka Salonen’s explosive The Rite of Spring.
Read MoreHélène Grimaud was the soloist in Ravel’s Piano Concerto in G-Major. She brought her own individual stamp of crisp articulation and unsentimental phrasing to the piece
Read MoreTo Los Angeles, conductor Simone Young brought her keen sense of drama and theatricality to the music of Britten and Strauss.
Read MoreCLASSICAL VOICE - Lifestyle Blog for Serious Classical Music and Opera Lovers